This sculpture is cast in the very place from where it originated. The action of the tractor pressing its weight into the mud temporarily changes the shape and surface of the ground.

Juliet Duckworth. 2018. 43 cms x 55 cms. Acrylic, chalk, thread, twigs and honesty seeds on calico.

Juliet Duckworth. 2018. 56 cms x 85 cms. Acrylic, pastel, thread on calico.

Inspired by the shapes, folds and cracks that naturally occur in nature. Juliet Duckworth 2018. 1m x 1m, acrylic on canvas.

Cider Woman. 2020. Silhouettes connecting to the earth, location and history of presence. Fruit, Fertility, Cycles, Mother, Earth.

In October 2019 I started making a piece of Land Art in the field beside my home. Wanting to create another layer of history on the surface of the ground I positioned thousands of apples in a linear form.

Making form out of space. By pouring wet and liquid plaster into holes in the ground made by rat runs, I allowed the material to move, slide and fix itself into the void it finds.

Absence. A series of sculptures using found materials from the countryside where I live.

Post Henge. 2021. Positioned in circular form to reflect continuity and eternal cycles.

Plaster, Earth Matter and Apples. Cast from a heap of composting windfalls at the base of an ancient apple tree.

Positioned in circular form to reflect continuity and eternal cycles.